#buying selling of luxury product

[tanerineluxury]

टैंजरीन लक्ज़री एक स्थायी भविष्य के लिए ला रही है फैशन की दुनिया में बदलाव

लक्ज़री फ़ैशन उद्योग में अग्रणी टैंजरीन लक्ज़री, लोगों के फ़ैशन उपभोग करने के तरीके में बदलाव की क्रांति ला रहा है। पर्यावरणीय स्थिरता पर मजबूत ध्यान देने और धरती पर जीवन की गुणवत्ता में सुधार करने के मिशन के साथ, टैंजरीन लक्ज़री ,लक्जरी उत्पादों को एक नया जीवन देने के लिए एक मंच प्रदान कर रहा है।  ब्रांड का मानना है कि हर कोई विलासिता का अनुभव करने का हकदार है। सर्कुलर इकोनॉमी को बढ़ावा देकर और उपयोग हो चुके लक्ज़री उत्पादों की पेशकश करके, टैंजरीन लक्ज़री का लक्ष्य लक्ज़री को अधिक सुलभ, किफायती और पर्यावरण के अनुकूल बनाना है।

टैंजरीन लक्ज़री की संस्थापक तान्या भाटिया का दृढ़ विश्वास है कि हर कोई विलासिता की इच्छा रखता है और उसका हकदार है ,इसलिए उन्हें इसे प्राप्त करने में सक्षम होने का हक़ है । लक्ज़री उत्पादों के मालिकों और उन उत्साही लोगों को जो उन्हें खरीदने की ख्वाहिश रखते हैं एक साथ लाने वाला एक प्लेटफ़ॉर्म बनाकर, टैंजरीन लक्ज़री लोगों को उन वस्तुओं को बेचने में सक्षम बनाता है जिनका वे अब उपयोग नहीं करते हैं । यह न केवल वस्तुओं को नया जीवन देता है बल्कि लोगों को सस्ती कीमतों पर विलासिता का उपयोग करने के लिए सक्षम भी करता है। लक्ज़री उत्पादों के जीवनचक्र का विस्तार करके, टैंजरीन लक्ज़री अत्यधिक खपत, अधिक उत्पादन और पर्यावरण पर उनके प्रभाव को कम करने में योगदान देता है।

बेचने और खरीदने के लिए इस लिंक पर क्लिक करें:

https://tangerineluxury.com/

पहले उपयोग किये जा चुके यानि सेकंड हैंड लक्ज़री उत्पादों को ऑनलाइन खरीदने और बेचने के लिए भारत के पहले एन्ट्रापी सत्यापित पोर्टल के रूप में, टैंजरीन लक्ज़री गुणवत्ता और प्रामाणिकता के उच्चतम मानकों को सुनिश्चित करता है। ब्रांड लक्ज़री बाज़ार में विश्वास और पारदर्शिता के महत्व को पहचानता है, और उनकी सख्त सत्यापन प्रक्रिया ग्राहकों को सेकंड हैंड आइटम खरीदते समय मन की शांति प्रदान करती है।

टैंजरीन लक्ज़री का दृष्टिकोण इस विश्वास से प्रेरित है कि फैशन टिकाऊ हो सकता है और फिर भी नवीनता बरक़रार रह सकती है। जलवायु परिवर्तन के दबाव वाले मुद्दों को संबोधित करते हुए, ब्रांड इस बात पर जोर देता है कि उनका लक्ष्य जिम्मेदार फैशन को बढ़ावा देना है। पहले से उपयोग किए जा चुके फैशन की अवधारणा को अपनाते हुए, टैंजरीन लक्ज़री मौजूदा रुझानों के साथ तालमेल बिठाता है और टिकाऊ खपत को बढ़ावा देते हैं।

इंस्टाग्राम प्रोफ़ाइल पर जाएँ:

फैशन पेशेवरों की एक समर्पित टीम के साथ, टैंजरीन लक्ज़री यह सुनिश्चित करता है कि प्रत्येक बिक्री खरीदार और विक्रेता दोनों के लिए सार्थक और परिवर्तनकारी अनुभव हो। रीकॉमर्स के प्रति उनकी प्रतिबद्धता लोगों को सेकंड हैंड उत्पादों पर भरोसा करने के लिए प्रोत्साहित करती है।

संधारणीयता के प्रति फैशन उद्योग के दृष्टिकोण को फिर से आकार देने में टैंजरीन लक्ज़री कदम बढ़ा रहा है। पहले से पसंद और उपयोग किए जा चुके फैशन के माध्यम से विलासिता को फिर से परिभाषित करके, वे कचरे को कम करने, नैतिक खपत को बढ़ावा देने और उपभोक्ताओं को विकल्पों की एक विस्तृत श्रृंखला प्रदान करने में महत्वपूर्ण प्रगति कर रहे हैं। उनका अभिनव मंच व्यक्तियों को एक परिपत्र अर्थव्यवस्था में भाग लेने के लिए सशक्त बनाता है, जहां सेकंड हैंड फैशन आइटम को संजोया जाता है और दूसरा जीवन दिया जाता है।

संपर्क करें  :

https://tangerineluxury.com/

sales@tangerineluxury.com

+91 70420 39009

[confidential-couture]

Unboxing Hermes Oran Flats | Confidential Couture #prelovedluxuryflats

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[darthlenaplant]

People who draw the female version (especially cisswaps) shorter than the male original design of a character are sooooooooooooooooooooooooooo weak.

[dresshistorynerd]

The Morrisian case against fast fashion

Today I discovered that H&M made a William Morris collection some years ago. The heath death of the universe can't come quickly enough. We can stop now. Satire is dead and we killed her.

It's not just the whole concept of H&M using William Morris' designs for their fast fashion which is insanity inducing, but also the critical response it garnered. Like sure, people did realize this is insane and there was a lot of think pieces about it at the time, but I read several of them and they all seem to still miss the point in spectacular way.

The basic premise of these think pieces go along the lines of: "Would William Morris spin in his grave with a speed of light because of the H&M collection of his designs? A difficult question indeed. William Morris was a complicated man. He wanted art to be affordable to everyone. Isn't H&M affordable? That kinda fits. Though probably he would have some concerns about H&M's practices."

On the surface - yes - but like in reality - fuck no. There's no nuance in this particular issue. He talked about many times what he though of the H&Ms of his time, the retailers selling poor quality industrially produced "fashionable" bullshit. We know exactly what he would have thought of H&M. Here's couple of quotes from his 1884 lecture "Art and Socialism", which makes it very clear.

"It would be an instructive day's work for any one of us who is strong enough to walk through two or three of the principal streets of London on a week-day, and take accurate note of everything in the shop windows which is embarrassing or superfluous to the daily life of a serious man. Nay, the most of these things no one, serious or unserious, wants at all; only a foolish habit makes even the lightest-minded of us suppose that he wants them, and to many people even of those who buy them they are obvious encumbrances to real work, thought and pleasure. But I beg you to think of the enormous mass of men who are occupied with this miserable trumpery, from the engineers who have had to make the machines for making them, down to the hapless clerks who sit day-long year after year in the horrible dens wherein the wholesale exchange of them is transacted, and the shopmen, who not daring to call their souls their own, retail them amidst numberless insults which they must not resent, to the idle public which doesn't want them but buys them to be bored by them and sick to death of them."

He is describing the birth of consumerism, which was taking form during his lifetime in the late Victorian Era, which fast fashion is the extreme logical conclusion of, and he fucking hated it. He specifically railed against endless consumerist products, which H&M is the perfect representation of. It was definitely not the art and beauty he believed everyone required and deserved. He makes the distinction often.

"Now if we are to have popular Art, or indeed Art of any kind, we must at once and for all be done with this luxury; it is the supplanter, the changeling of Art; so much so that by those who know of nothing better it has even been taken for Art, the divine solace of human labour, the romance of each day's hard practice of the difficult art of living."

"And here furthermore is at least a little sign whereby to distinguish between a rag of fashion and a work of Art: whereas the toys of fashion when the first gloss is worn off them do become obviously worthless even to the frivolous—a work of Art, be it ever so humble, is long lived; we never tire of it; as long as a scrap hangs together it is valuable and instructive to each new generation. All works of Art in short have the property of becoming venerable amidst decay: and reason good, for from the first there was a soul in them, the thought of man, which will be visible in them so long as the body exists in which they were implanted."

When he thought of popular Art he thought of the craftsmanship of the common people. The art people have made from useful everyday objects with skillful handicrafts. This is what he means by "divine solace of human labour". It's not reverence of Puritanical work ethic, on the contrary, it's the reverence of creation, of the earnest joy people feel when they get to express themselves through their creative pursuits. He certainly didn't believe in work for work's sake, work needed to be worthwhile and enjoyable. He summarized his own position on what labour should be thusly:

"It is right and necessary that all men should have work to do which shall be worth doing, and be of itself pleasant to do; and which should he done under such conditions as would make it neither over-wearisome nor over-anxious."

He urged his middle class audience to reject consumerism (the lecture was for a very much middle class atheist society):

"For I say again that in buying these things: 'Tis the lives of men you buy! Will you from mere folly and thoughtlessness make yourselves partakers of the guilt of those who compel their fellow men to labour uselessly?"

I think it's glaringly obvious H&M and fast fashion in general is what he would consider luxury. Rags of fashion that are just churned out and discarded without thought and produced by compelling people to labour uselessly. It's not popular art that's made by workers and craftsmen, who are able to express themselves through it. There's no agency for the abused workers in H&M's sweatshops, they are not expressing their joy of creation, they are simply labouring uselessly.

Morris didn't shame workers for buying affortable things even if they weren't Art with big A, because that's the problem he despised the whole economic system for, for taking away the popular Art from people, making it inaccessible, and selling back mass produced products with very little practical or aesthetic value. So I don't think he would have problem with people who can only afford fast fashion today. They are the victims of capitalism too, because Art has been taken away from them. But the idea that some of these think pieces had that perhaps the H&M's Morris collection can be good actually if you squint, that H&M has the capacity to bring the art and beauty Morris advocated for for the people, is level of stupidity that's hard to express in words.

Morris didn't believe anything made with exploited labour could be truly beautiful, truly art. In his 1879 lecture "The Art of the People" he put it like this:

"That thing which I understand by real art is the expression by man of his pleasure in labour."

The way I understand this, is that art is communication. Through it we communicate feelings, ideas and thoughts, that is it's purpose. So for that communication to work, for it to be imbued with message, the person making it needs to feel passion and love for it's creation. How can there be love and passion if the hands making the garment belong to a tired exploited worker who has no agency what so ever in their work and can only think about survival to the next day?

Beyond the fundamental exploitativeness of H&M and fast fashion, this collection would still get zero points on aesthetic values from Morris even with his own designs. Because the work itself was such an important part of art for Morris, good design was nothing without good craftsmanship. Good design in his mind was always relative and dependent on it's purpose.

"For everything made by man’s hands has a form, which must be either beautiful or ugly; beautiful if it is in accord with Nature, and helps her; ugly if it is discordant with Nature, and thwarts her; it cannot be indifferent." (The Lesser Arts, 1877)

Here when he says nature, he means the nature of the thing that is made - basically it's purpose and function - and the nature of the materials it's made from. Basically, the design must always be made to bring out the function of the art and the qualities of the material it's made from, not fight against them. This is because he believed handicrafts were uniquely suitable for expressing the love of creation, therefore superior labour, and to really bring out the qualities of the craftsmanship and enjoy the creative process, the design should be suitable for that craft. The other side, which was the joy of using and experiencing art, required the craft to be selected for the suitable purpose. Using poorly functioning furniture for example is not very enjoyable, nor is using clothing that's made from materials that are not suitable for the climactic conditions it's supposed to be used in.

H&M of course utterly fails in this. They use Morris' designs in fully unsuitable ways. They print patterns made for example for wall papers on poor quality fabrics with synthetics dyes they weren't made for. This line from one blog post I came across really got me: "Therefore, without cheapening the artistic value of Morris’ designs, H&M’s collection offers an unparalleled potential for accessibility to them." No. Fuck no. They do in fact cheapen Morris' designs in every single way possible. Literally this is atrocious.

Despite the popular depiction, Morris wasn't in fact against industrial machinery or industrial art even, or at least he wasn't once his views on art and politics matured. He did think technology was useful, but he thought the people should use industrial methods for the benefit of all, not be enslaved by the industrial machine.

"I have spoken of machinery being used freely for releasing people from the more mechanical and repulsive part of necessary labour; and I know that to some cultivated people, people of the artistic turn of mind, machinery is particularly distasteful, and they will be apt to say you will never get your surroundings pleasant so long as you are surrounded by machinery. I don't quite admit that; it is the allowing machines to be our masters and not our servants that so injures the beauty of life nowadays. In other words, it is the token of the terrible crime we have fallen into of using our control of the powers of Nature for the purpose of enslaving people, we care less meantime of how much happiness we rob their lives of." ("How we live and how we might live", 1887)

However, he thought that the designer should approach it the way they approached any craft, by designing for the strengths of the machine work.

"But if you have to design for machine-work, at least let your design show clearly what it is. Make it mechanical with a vengeance, at the same time as simple at possible. Don't try, for instance, to make a printed plate look like a hand-painted one: make it something which no one would try to do if he were painting by hand..." ("Art and the Beauty of the Earth", 1881)

He did use some machinery for fabric and wall paper printing, but he was very intentional about their use. Still his designs weren't made for the type of methods these modern H&M machinery uses and he did for example use natural dyes. Particularly insulting is that some of the H&M clothes are made from viscose, rayon made with viscose method. Viscose method is extremely toxic and is known to cause long term health consequences for the workers and the people in surrounding areas. This has been well proven knowledge for ages. William Morris' wall paper factory in the beginning used the typical method used at the time which involved arsenic, but once he learned this could pose risks for the workers, he changed the method. Many of the new synthetic dyes were toxic at the time, which is the major reason he so favoured natural dyes, known to not cause health issues for workers or pollute the environment.

The question many of these think pieces about the H&M Morris collection posed was, would Morris disapprove and should we care? The first part of that is very easy to answer. Yes. Of course Morris would disapprove. He is currently powering the whole of British Isles with purely the kinetic energy his grave-spinning produces. Should we care though? If you care about Morris' art, if you want to see more of that kind of art in this world, you should care. Morris' art is not about the superficial qualities. Copying his designs and aesthetics and styles, will only lead to hollow imitations, that are exactly what he described the rags of fashion to be; as the shininess of novelty wears off they will reveal themselves to be soulless, useless and utterly empty. This collection is just that. To see more of the kind of art that makes you feel like his art makes you feel, not just something that reminds you of that feeling, you should focus more on the way the art is made and less on the specific aesthetics. If his vision of labour and art was realised, all art produced of course wouldn't be loved by every person, but all of it would be loved by someone, even if that someone was just the maker. And that would be more worthwhile than every single rag of fast fashion.

I will stop William-Morris-posting now and return to my thesis.

The full texts I quoted here:

Art and Socialism The Art of the People The Lesser Arts How We Live and How We Might Live Art and the Beauty of the Earth

[mostlysignssomeportents]

Your car spies on you and rats you out to insurance companies

I'm on tour with my new, nationally bestselling novel The Bezzle! Catch me TOMORROW (Mar 13) in SAN FRANCISCO with ROBIN SLOAN, then Toronto, NYC, Anaheim, and more!

Another characteristically brilliant Kashmir Hill story for The New York Times reveals another characteristically terrible fact about modern life: your car secretly records fine-grained telemetry about your driving and sells it to data-brokers, who sell it to insurers, who use it as a pretext to gouge you on premiums:

https://www.nytimes.com/2024/03/11/technology/carmakers-driver-tracking-insurance.html

Almost every car manufacturer does this: Hyundai, Nissan, Ford, Chrysler, etc etc:

https://www.repairerdrivennews.com/2020/09/09/ford-state-farm-ford-metromile-honda-verisk-among-insurer-oem-telematics-connections/

This is true whether you own or lease the car, and it's separate from the "black box" your insurer might have offered to you in exchange for a discount on your premiums. In other words, even if you say no to the insurer's carrot – a surveillance-based discount – they've got a stick in reserve: buying your nonconsensually harvested data on the open market.

I've always hated that saying, "If you're not paying for the product, you're the product," the reason being that it posits decent treatment as a customer reward program, like the little ramekin warm nuts first class passengers get before takeoff. Companies don't treat you well when you pay them. Companies treat you well when they fear the consequences of treating you badly.

Take Apple. The company offers Ios users a one-tap opt-out from commercial surveillance, and more than 96% of users opted out. Presumably, the other 4% were either confused or on Facebook's payroll. Apple – and its army of cultists – insist that this proves that our world's woes can be traced to cheapskate "consumers" who expected to get something for nothing by using advertising-supported products.

But here's the kicker: right after Apple blocked all its rivals from spying on its customers, it began secretly spying on those customers! Apple has a rival surveillance ad network, and even if you opt out of commercial surveillance on your Iphone, Apple still secretly spies on you and uses the data to target you for ads:

https://pluralistic.net/2022/11/14/luxury-surveillance/#liar-liar

Even if you're paying for the product, you're still the product – provided the company can get away with treating you as the product. Apple can absolutely get away with treating you as the product, because it lacks the historical constraints that prevented Apple – and other companies – from treating you as the product.

As I described in my McLuhan lecture on enshittification, tech firms can be constrained by four forces:

I. Competition

II. Regulation

III. Self-help

IV. Labor

https://pluralistic.net/2024/01/30/go-nuts-meine-kerle/#ich-bin-ein-bratapfel

When companies have real competitors – when a sector is composed of dozens or hundreds of roughly evenly matched firms – they have to worry that a maltreated customer might move to a rival. 40 years of antitrust neglect means that corporations were able to buy their way to dominance with predatory mergers and pricing, producing today's inbred, Habsburg capitalism. Apple and Google are a mobile duopoly, Google is a search monopoly, etc. It's not just tech! Every sector looks like this:

https://www.openmarketsinstitute.org/learn/monopoly-by-the-numbers

Eliminating competition doesn't just deprive customers of alternatives, it also empowers corporations. Liberated from "wasteful competition," companies in concentrated industries can extract massive profits. Think of how both Apple and Google have "competitively" arrived at the same 30% app tax on app sales and transactions, a rate that's more than 1,000% higher than the transaction fees extracted by the (bloated, price-gouging) credit-card sector:

https://pluralistic.net/2023/06/07/curatorial-vig/#app-tax

But cartels' power goes beyond the size of their warchest. The real source of a cartel's power is the ease with which a small number of companies can arrive at – and stick to – a common lobbying position. That's where "regulatory capture" comes in: the mobile duopoly has an easier time of capturing its regulators because two companies have an easy time agreeing on how to spend their app-tax billions:

https://pluralistic.net/2022/06/05/regulatory-capture/

Apple – and Google, and Facebook, and your car company – can violate your privacy because they aren't constrained regulation, just as Uber can violate its drivers' labor rights and Amazon can violate your consumer rights. The tech cartels have captured their regulators and convinced them that the law doesn't apply if it's being broken via an app:

https://pluralistic.net/2023/04/18/cursed-are-the-sausagemakers/#how-the-parties-get-to-yes

In other words, Apple can spy on you because it's allowed to spy on you. America's last consumer privacy law was passed in 1988, and it bans video-store clerks from leaking your VHS rental history. Congress has taken no action on consumer privacy since the Reagan years:

https://www.eff.org/tags/video-privacy-protection-act

But tech has some special enshittification-resistant characteristics. The most important of these is interoperability: the fact that computers are universal digital machines that can run any program. HP can design a printer that rejects third-party ink and charge $10,000/gallon for its own colored water, but someone else can write a program that lets you jailbreak your printer so that it accepts any ink cartridge:

https://www.eff.org/deeplinks/2020/11/ink-stained-wretches-battle-soul-digital-freedom-taking-place-inside-your-printer

Tech companies that contemplated enshittifying their products always had to watch over their shoulders for a rival that might offer a disenshittification tool and use that as a wedge between the company and its customers. If you make your website's ads 20% more obnoxious in anticipation of a 2% increase in gross margins, you have to consider the possibility that 40% of your users will google "how do I block ads?" Because the revenue from a user who blocks ads doesn't stay at 100% of the current levels – it drops to zero, forever (no user ever googles "how do I stop blocking ads?").

The majority of web users are running an ad-blocker:

https://doc.searls.com/2023/11/11/how-is-the-worlds-biggest-boycott-doing/

Web operators made them an offer ("free website in exchange for unlimited surveillance and unfettered intrusions") and they made a counteroffer ("how about 'nah'?"):

https://www.eff.org/deeplinks/2019/07/adblocking-how-about-nah

Here's the thing: reverse-engineering an app – or any other IP-encumbered technology – is a legal minefield. Just decompiling an app exposes you to felony prosecution: a five year sentence and a $500k fine for violating Section 1201 of the DMCA. But it's not just the DMCA – modern products are surrounded with high-tech tripwires that allow companies to invoke IP law to prevent competitors from augmenting, recongifuring or adapting their products. When a business says it has "IP," it means that it has arranged its legal affairs to allow it to invoke the power of the state to control its customers, critics and competitors:

https://locusmag.com/2020/09/cory-doctorow-ip/

An "app" is just a web-page skinned in enough IP to make it a crime to add an ad-blocker to it. This is what Jay Freeman calls "felony contempt of business model" and it's everywhere. When companies don't have to worry about users deploying self-help measures to disenshittify their products, they are freed from the constraint that prevents them indulging the impulse to shift value from their customers to themselves.

Apple owes its existence to interoperability – its ability to clone Microsoft Office's file formats for Pages, Numbers and Keynote, which saved the company in the early 2000s – and ever since, it has devoted its existence to making sure no one ever does to Apple what Apple did to Microsoft:

https://www.eff.org/deeplinks/2019/06/adversarial-interoperability-reviving-elegant-weapon-more-civilized-age-slay

Regulatory capture cuts both ways: it's not just about powerful corporations being free to flout the law, it's also about their ability to enlist the law to punish competitors that might constrain their plans for exploiting their workers, customers, suppliers or other stakeholders.

The final historical constraint on tech companies was their own workers. Tech has very low union-density, but that's in part because individual tech workers enjoyed so much bargaining power due to their scarcity. This is why their bosses pampered them with whimsical campuses filled with gourmet cafeterias, fancy gyms and free massages: it allowed tech companies to convince tech workers to work like government mules by flattering them that they were partners on a mission to bring the world to its digital future:

https://pluralistic.net/2023/09/10/the-proletarianization-of-tech-workers/

For tech bosses, this gambit worked well, but failed badly. On the one hand, they were able to get otherwise powerful workers to consent to being "extremely hardcore" by invoking Fobazi Ettarh's spirit of "vocational awe":

https://www.inthelibrarywiththeleadpipe.org/2018/vocational-awe/

On the other hand, when you motivate your workers by appealing to their sense of mission, the downside is that they feel a sense of mission. That means that when you demand that a tech worker enshittifies something they missed their mother's funeral to deliver, they will experience a profound sense of moral injury and refuse, and that worker's bargaining power means that they can make it stick.

Or at least, it did. In this era of mass tech layoffs, when Google can fire 12,000 workers after a $80b stock buyback that would have paid their wages for the next 27 years, tech workers are learning that the answer to "I won't do this and you can't make me" is "don't let the door hit you in the ass on the way out" (AKA "sharpen your blades boys"):

https://techcrunch.com/2022/09/29/elon-musk-texts-discovery-twitter/

With competition, regulation, self-help and labor cleared away, tech firms – and firms that have wrapped their products around the pluripotently malleable core of digital tech, including automotive makers – are no longer constrained from enshittifying their products.

And that's why your car manufacturer has chosen to spy on you and sell your private information to data-brokers and anyone else who wants it. Not because you didn't pay for the product, so you're the product. It's because they can get away with it.

Cars are enshittified. The dozens of chips that auto makers have shoveled into their car design are only incidentally related to delivering a better product. The primary use for those chips is autoenshittification – access to legal strictures ("IP") that allows them to block modifications and repairs that would interfere with the unfettered abuse of their own customers:

https://pluralistic.net/2023/07/24/rent-to-pwn/#kitt-is-a-demon

The fact that it's a felony to reverse-engineer and modify a car's software opens the floodgates to all kinds of shitty scams. Remember when Bay Staters were voting on a ballot measure to impose right-to-repair obligations on automakers in Massachusetts? The only reason they needed to have the law intervene to make right-to-repair viable is that Big Car has figured out that if it encrypts its diagnostic messages, it can felonize third-party diagnosis of a car, because decrypting the messages violates the DMCA:

https://www.eff.org/deeplinks/2013/11/drm-cars-will-drive-consumers-crazy

Big Car figured out that VIN locking – DRM for engine components and subassemblies – can felonize the production and the installation of third-party spare parts:

https://pluralistic.net/2022/05/08/about-those-kill-switched-ukrainian-tractors/

The fact that you can't legally modify your car means that automakers can go back to their pre-2008 ways, when they transformed themselves into unregulated banks that incidentally manufactured the cars they sold subprime loans for. Subprime auto loans – over $1t worth! – absolutely relies on the fact that borrowers' cars can be remotely controlled by lenders. Miss a payment and your car's stereo turns itself on and blares threatening messages at top volume, which you can't turn off. Break the lease agreement that says you won't drive your car over the county line and it will immobilize itself. Try to change any of this software and you'll commit a felony under Section 1201 of the DMCA:

https://pluralistic.net/2021/04/02/innovation-unlocks-markets/#digital-arm-breakers

Tesla, naturally, has the most advanced anti-features. Long before BMW tried to rent you your seat-heater and Mercedes tried to sell you a monthly subscription to your accelerator pedal, Teslas were demon-haunted nightmare cars. Miss a Tesla payment and the car will immobilize itself and lock you out until the repo man arrives, then it will blare its horn and back itself out of its parking spot. If you "buy" the right to fully charge your car's battery or use the features it came with, you don't own them – they're repossessed when your car changes hands, meaning you get less money on the used market because your car's next owner has to buy these features all over again:

https://pluralistic.net/2023/07/28/edison-not-tesla/#demon-haunted-world

And all this DRM allows your car maker to install spyware that you're not allowed to remove. They really tipped their hand on this when the R2R ballot measure was steaming towards an 80% victory, with wall-to-wall scare ads that revealed that your car collects so much information about you that allowing third parties to access it could lead to your murder (no, really!):

https://pluralistic.net/2020/09/03/rip-david-graeber/#rolling-surveillance-platforms

That's why your car spies on you. Because it can. Because the company that made it lacks constraint, be it market-based, legal, technological or its own workforce's ethics.

One common critique of my enshittification hypothesis is that this is "kind of sensible and normal" because "there’s something off in the consumer mindset that we’ve come to believe that the internet should provide us with amazing products, which bring us joy and happiness and we spend hours of the day on, and should ask nothing back in return":

https://freakonomics.com/podcast/how-to-have-great-conversations/

What this criticism misses is that this isn't the companies bargaining to shift some value from us to them. Enshittification happens when a company can seize all that value, without having to bargain, exploiting law and technology and market power over buyers and sellers to unilaterally alter the way the products and services we rely on work.

A company that doesn't have to fear competitors, regulators, jailbreaking or workers' refusal to enshittify its products doesn't have to bargain, it can take. It's the first lesson they teach you in the Darth Vader MBA: "I am altering the deal. Pray I don't alter it any further":

https://pluralistic.net/2023/10/26/hit-with-a-brick/#graceful-failure

Your car spying on you isn't down to your belief that your carmaker "should provide you with amazing products, which brings your joy and happiness you spend hours of the day on, and should ask nothing back in return." It's not because you didn't pay for the product, so now you're the product. It's because they can get away with it.

The consequences of this spying go much further than mere insurance premium hikes, too. Car telemetry sits at the top of the funnel that the unbelievably sleazy data broker industry uses to collect and sell our data. These are the same companies that sell the fact that you visited an abortion clinic to marketers, bounty hunters, advertisers, or vengeful family members pretending to be one of those:

https://pluralistic.net/2022/05/07/safegraph-spies-and-lies/#theres-no-i-in-uterus

Decades of pro-monopoly policy led to widespread regulatory capture. Corporate cartels use the monopoly profits they extract from us to pay for regulatory inaction, allowing them to extract more profits.

But when it comes to privacy, that period of unchecked corporate power might be coming to an end. The lack of privacy regulation is at the root of so many problems that a pro-privacy movement has an unstoppable constituency working in its favor.

At EFF, we call this "privacy first." Whether you're worried about grifters targeting vulnerable people with conspiracy theories, or teens being targeted with media that harms their mental health, or Americans being spied on by foreign governments, or cops using commercial surveillance data to round up protesters, or your car selling your data to insurance companies, passing that long-overdue privacy legislation would turn off the taps for the data powering all these harms:

https://www.eff.org/wp/privacy-first-better-way-address-online-harms

Traditional economics fails because it thinks about markets without thinking about power. Monopolies lead to more than market power: they produce regulatory capture, power over workers, and state capture, which felonizes competition through IP law. The story that our problems stem from the fact that we just don't spend enough money, or buy the wrong products, only makes sense if you willfully ignore the power that corporations exert over our lives. It's nice to think that you can shop your way out of a monopoly, because that's a lot easier than voting your way out of a monopoly, but no matter how many times you vote with your wallet, the cartels that control the market will always win:

https://pluralistic.net/2024/03/05/the-map-is-not-the-territory/#apor-locksmith

Name your price for 18 of my DRM-free ebooks and support the Electronic Frontier Foundation with the Humble Cory Doctorow Bundle.

If you'd like an essay-formatted version of this post to read or share, here's a link to it on pluralistic.net, my surveillance-free, ad-free, tracker-free blog:

https://pluralistic.net/2024/03/12/market-failure/#car-wars

Image: Cryteria (modified) https://commons.wikimedia.org/wiki/File:HAL9000.svg

CC BY 3.0 https://creativecommons.org/licenses/by/3.0/deed.en

[heartcountry]

the world keeps moving all around me. i go outside and watch people buy in abundance, complain about traffic. i watch influencers sell us their latest makeup product, hair product, selfie light, stanley cup, starbucks order. the construct of whiteness has created two worlds. one where bombs fall somewhere far away and people think the greatest inconvenience is a boycott. and another world where we stay up to memorize faces under rubble, hold on to lines of poetry during the 100th day of bombing, and wait wait wait for a different ending to a very old story. i want no part in their world of comforts, in their life of escapism. how can i escape the orphaned child,a US bomb falling on him, signed off by my million luxuries. how can i continue looking people in the eye.

[blackhairedjjun]

alright i have an imagine scenario right now:

you're an employee at a jewelry company, nowhere near rich enough to buy the products you market. you're at your company's flagship store for the launch of its new jewelry line, and you've got none other than famous model choi yeonjun as its brand ambassador. he arrives with his hair slicked back, wearing a pristine white suit and sporting a few key pieces from the line; though he gives the cameras his best smoldering looks, you aren't particularly impressed. you've met enough rich assholes at your job to last you a lifetime, and yeonjun doesn't seem much different. you watch him pose for the photographers and chat with other guests for a few moments, but shift your mind back to work.

he talks to you exactly once, to ask where the bathroom is. at least he was polite to you, unlike a lot of the VIPs you've met.

the next day is a weekend and you spent it at the plant market, looking at freshly potted flowers about to bloom and seedlings of vegetables ready to be cared for. you might not be able to afford the fancy necklaces and rings that you sell, but at least you have the luxury of growing your own veggies and flowers in your tiny apartment balcony.

you were not expecting it to rain that day, but it does. it's a downpour crashing down from the sky, and though you consider running for it, you're also weighed down by two bags of plants in both hands. so you stand under one of the market tents next to a row of tomato plants, waiting for the rain to stop. it doesn't.

just then you feel a tap on your shoulder and turn to see a young man in a hoodie and cap, sunglasses perched on top of his head. he's carrying an oversized umbrella, large enough for two. "um, hi, excuse me," he says, stumbling over his words, "you were the employee at the jewelry store yesterday, right? do you want help? we can share my umbrella..." he glances down at your bags of plants, then back at you.

it takes a while for you to recognize him until it hits you: choi yeonjun. three things run through your mind at once: first, you're impressed that he managed to remember you when all you did was tell him where the bathroom is. second, you feel a pang of shame for assuming he's a rich asshole when he's making such a kind offer to you. and third, even in a worn-out black hoodie, he's still ridiculously handsome.

you step into the umbrella with him; you feel his fingers brush against yours as he takes one of your bags to carry. "thank you," you tell him. he smiles at you and butterflies erupt in your stomach.

it doesn't feel so bad to be wrong about him this time.

[astrobydalia]

Astro knowledge

A short more educational post for y'all!

work by astrobydalia

Pisces/Neptune rules marketing while Gemini/Mercury is more about sales. They’re both deeply related but difference is Gemini is the salesman that appeals to your reason and resorts to mind games (Mercury) in a one-on-one to convince you why you should buy into something. Marketing on the other hand is ruled by Pisces because it appeals to the collective unconscious (Neptune). It’s all about crafting subliminal messages that make you see that product/idea as more appealing even when you know what you're seeing is not realistic. Very related to propaganda as well. This is also a field that requires a lot of creativity, they're constantly using metaphors, hyperboles or even making up little fictional stories to sell a product...

I've already said this but for anyone new, the planet that rules real love is moon not Venus. See the full explanation here

Where Sagittarius is in your chart will bring luck and happiness, but Taurus does give off expansive (or dare I say expensive) energy too. Where Taurus sits in your chart is an area of your life that will be more grandiose in nature cause Taurus rules over indulgence and pleasure. You could experience some sort of privilege when it comes to this house, the themes of this house come to you in abundance with little to no effort. Some examples:

Taurus 1st house: have a striking and bold appearance, gives off luxury and attractive vibes regardless of their looks. These people could come across as a "high value woman/man" without trying

Taurus 7th house: very active and abundant love life, lots of suitors and business partners landing on your lab, they want to provide for you and/or give you lucrative opportunities

Taurus 9th house: having access to high quality education or elevated knowledge. Probably attended a very exclusive or expensive collage, payed vacations vibes, easy and frequent relocations

Taurus 10th house: almost untouchable reputation, very respected and liked by others, is always seen as innocent or harmless, lots of success with their ventures

The 2nd house also talks about your roots and upbringing but in a more objective and material sense. This house and the position of its ruler can be very telling of how your actual social and economic context shaped your basic values. It can also talk about your house as the 2nd house rules over real state, lands, properties, etc. The 4th house is more about your home, how you were raised within that reality and how it impacted you emotionally at your core

Example: Libra risings could come from an environment that shaped their values around survival and money gains due to Scorpio 2nd house (I've seen very commonly they come from marginalized groups or humble beginnings or very financially competitive environments). So they have a family that is very demanding and expected them to work or be a boss from a young age (Capricorn 4th house)

Speaking of, 2nd house does not ONLY rule money!!! It rules RESOURCES and anything that you own that is highly valuable and you can put a price on!!!! And yes of course since these things are valuable they can be easily monetized, traded, used to make you money. This can be your skills, assets, real state, etc. The 2nd house is your piggy bank basically

There's a lot of talk about how 11th house is how you make money in your career while 2nd house is how you spend it. Well this is technically true but I'd like to add more explanation to this. In derivative astrology 11th house is 2nd (money) from the 10th (career) so it does show how you actually make money from your career. 2nd house is where you get money but 11th house is how you make money. Your 11th house is the multiplier (credits to @cosmicpuzzle for that fact) while 2nd house is where your financial stability lies on. In other words 11th house is indicative of how you generate more but 2nd house is all about what you already have, its about what you can make with what you OWN already, it deals with money that is already available through your resources' value (again, you piggy bank). This does 'make' you money in a way like if you lose your job and are lacking money your 2nd house where you turn to for example if you own a house you can rent it, you can buy a rare item that costs a lot, selling your art or any other natural skill, etc. The concept of value is important in this house bc it can increase or decrease (while 11th house increases and multiplies). The more valuable your resources are the more potential money you have available which means more financial stability and wealth. Anyways hope all that makes sense

We often refer to water signs when talking spirituality but truth is fire signs are very spiritual in nature as well. Fire symbolizes the spark of life itself, nothing could exist or be created without it. Aries deals with the basic ontological conception of 'I am, I exist', Leo is about how the self manifests and create itself and Sagittarius is about the purpose of the self. Living beings need heat to thrive/live and just like fire radiates heat your spirit radiates energy, creativity, passion, action, inspiration, purpose... and that's what fire signs represent. I'd say fire represents the fundamentality of spirit while water is more about the complexity of inner world.

Just like Aries is the "natural" ASC for a birth chart, Libra is the natural ASC for a composite chart cause a birth chart represents the chart of an individual (Aries) while composite represents the mutual relationship between two people (Libra)

When you develop the themes of a certain house in a healthy manner, you naturally start attracting the themes of the opposite house. This goes to show you that things in astrology aren't as compartmentalized as they seem, everything works together in certain way SPECIALLY axis'. Examples:

You need to focus on yourself first (1st house) to find the right partner (7th house)

You need to investigate and learn (3rd house) in order to find higher answers (9th house)

When you invest successfully (8th house) you earn more available resources (2nd house).

When you develop your hobbies and individuality (5th house) you find keen people (11th house)

When you heal spiritually (12th house) you find healthier habits (6th house)

There's this misconception that you have to disregard your South Node in order to develop you NN, but the thing is the SN is the starting point that can lead you towards developing your NN. This can happen as a harsh and painful lesson tho if you liger too much on your SN. For example NN in Libra need to learn to compromise in this life, there's a lot of focus on the self and independence, but eventually this placement teaches them that if you really wanna develop yourself in full potential (Aries) eventually you'll need others (Libra). If they linger too much on Aries SN they could experience a harsh lesson that forces them to count on others

work by astrobydalia

[melverie]

Last post on the entire date ticket thing and then I will forever shut up about it, but I feel like most people arguing in favor of the price tag are just….missing the point on why people are so angry about the date ticket being $30

I think the one thing we can all agree on right from the get go is that everyone in the staff deserve to and should be compensated fairly for their work. And that obviously includes certain features and items having to cost actual money considering the game itself is free

But the thing is, that $30 price tag doesn't just exist in a vacuum

First off, we can all agree that charging something like $3 would have made the ticket sell far better, right? Several people have already pointed out that they can buy a week's worth of groceries with $30 and depending on how much you earn, the date ticket isn't exactly something anyone can just buy on a whim. Again, $3 would have been far more affordable for most people, and I'm sure many more people (myself included) would have been far more willing to spend $3 just to see what the date ticket is like, and maybe also buy the tickets of multiple other characters. But $30 for a single date ticket is a luxury a lot of people just cannot afford, or would rather put into something else. Even if they lowered the price, they'd surely break even and make profit with how many players there are

And judging by its contents, I think it's fair to say that the date itself is not worth $30. And I feel like Solmare themselves know this because why else would they have bundled it with 300 DP? The only reason is to justify this price tag because "look at how much DP we're getting with it tho!!" when that's not the point. It doesn't matter whether the DP are included, because there is a lack of choice here. We have other options to earn and buy DP, but we don't have a choice when it comes to the date ticket itself. Either you pay $30, or you miss out on a feature that many of us have wanted for a while now. And since it's the DP raising the price tag,what you are essentially paying for is 300 DP with a date ticket as your purchase bonus, even though it should be the other way round

And honestly? Considering the price, the only two times it would make sense to buy this bundle is if you were already considering buying DP anyway, or if you are financially well enough off that the current price doesn't matter to you. You won't convince most casual spenders, and you most definitely will not convince a f2p player to pay for this feature

The other thing is that we had no idea what the date ticket actually entailed because we weren't given any information on it. Thanks to people in the community buying and reviewing this feature for others we now know that the date consists of one phone call, a ~10 minute long, partially voiced date story-line and a Majolish background. Except, those are things that Solmare themselves should have told us right as they announced this feature, ESPECIALLY considering the price point. If you don't, you can't complain if people are accusing your company of trying to rip its player base off and of being greedier than the Avatar of Greed himself. But also, that's the thing!

We shouldn't have people in the fandom be the ones to go out of their way to give us basic info on new features, or to even explain certain business decisions in the first place. That's the company's job. Yes, certain explanations should be a given (such as microtransactions existing so that the staff can be paid the money they obviously deserve), but there are other things that should have been explained by Solmare themselves

Open communication with the player base is the key phrase here, and imo Solmare has been doing worse and worse on that front as of late, resulting in several unexplained choices that just seem questionable at best and scummy at worst, as well as a player base that grows more and more disgruntled by the day. And that frustration within the player base shows in the amount of people dropping the game, as well as in the amount of money it's making

People are willing to put their time and money into something they deem a good, quality product with a justified price considering the content. If your player base isn't putting in the money you are expecting, then maybe you should listen to their feedback and re-examine your product instead of overcharging a feature because "look at this thing you're getting extra that no one asked to be included in the bundle in the first place"

Literally part of the reason LaDS has grown to be so successful in such a short amount of time is because they keep making adjustments based on player feedback, even on some minor things. I mean they literally pushed out an update to correct the color of one of the character's tongue in the newest card because people were complaining, like hello!! Imagine Solmare listening to complains as minor as this

Anyway, whether intentional or not, this entire thing just feels scummy, and that's the problem. The choice we have is either "pay 30 bucks per character or miss out on this feature entirely", the price is artificially inflated with the inclusion of DP that we have other ways of getting, romance is slowly fazed out of the story only to now be put behind a heft paywall, we weren't told what we are even paying for exactly in the first place, and there has been a severe lack of proper communication from Solmare that have soured the relationship to the game's fanbase and, most importantly in this context, their customers

No, companies aren't our friends. Yes, they need to make money. Yes, they should pay their employees fairly. And no, we as consumers shouldn't expect nor are we entitled to everything about the game being free because again, the people working on this game deserve to get paid fairly for all the work they put into it

However, people are still allowed to be critical of a company and its decisions, especially when they feel like they are getting ripped off. The 300 DP might soften the blow, but that doesn't stop everything that has happened before from being a slap in the face. That's why people are pissed right now, and honestly it's been a long time coming

[lunastrophe]

Drow Fashion 🕷️✨ Drow Textile Markets

Spider silks, particularly black spider silk and textiles that resemble spider webs, hold a special place in drow culture and fashion. Dark elves, though, use also other textiles in their clothing, depending on their social status, personal preferences and region they live in. Some raw materials, like wool of deep rothé and fibers of mushrooms, are usually easy to obtain and to process into cloth. Some less common or luxury materials, though, are obtainable only for wealthy drow.

🕷️ Raw Materials And Trade - like many other denizens of the Underdark, drow are often forced to rely mainly on local resources. In communities with connections to trade routes, merchants often ensure supply of raw materials like fibers, fleece, wool and threads, as well as semi-finished and finished products.

In large trading cities like Sshamath, drow typically have access to assorted goods from various regions – sometimes also from the surface. Some rare and valuable surface goods, including luxury textiles, are also occasionally transported to drow cities as raiding spoils, becoming possessions of noble drow and their houses. In general, though, surface fabrics, clothing items and accessories are rare in the Underdark, and they can be incredibly expensive there.

🕷️ Where To Buy? - drow-made textiles are among major products of numerous drow settlements, including cities like Menzoberranzan or Ched Nasad.

Dark elves typically like to dress as good as they can, so in drow communities, stores that specialize in selling fabrics and clothing tend to attract many customers – from large, fine cloth emporia of big cities to smaller shops and merchant stalls.

In Ched Nasad, one of such stores was located …along the side of the street leading to the plaza. (…) The store offered fashionable, decorative silk wraps and other clothing (T. Reid, Insurrection). Its building looked a bit quaint and it had a rounded roof that was shaped like a cocoon.

In Duthcloim, a district of Menzoberranzan know also as Manyfolk, there are many drow merchants who specialize in selling textiles and clothing. The most wealthy and influential ones are drow male Du’arthe Klendara and drow female Sh’aun Darnruel (E. Greenwood, Menzoberranzan, 2e).

🕷️ Drow As Customers - drow often look down their noses at goods produced by non-drow, considering them inferior. Despite of that, many wealthy dark elves appreciate materials and products that come from the surface, and are willing to pay for them – provided they are top quality, appeal to their aesthetics and personal tastes, and befit their station and rank.

Drow-made clothing materials and items typically surpass many others in quality, so dark elves, especially nobles, tend to be picky buyers, hard to impress and even harder to please.

🕷️ Noble Houses - not all drow need to rely on goods sold by merchants. Noble drow houses typically have their own skilled workers who can weave cloth, as well as craftsmen who can work cloth and other materials into garments (E. Greenwood, DotU, 2e).

For more of my drow lore ramblings, feel free to check my pinned post 🕷️

[tanerineluxury]

How Tangerine Luxury is Saving the Earth, One Luxury Item at a Time

In a world dominated by fast fashion and disposable wealth, the detrimental impact of overconsumption on our planet has become increasingly evident. The fashion industry, in particular, has significantly contributed to environmental degradation with its relentless production cycles and wasteful practices. However, as awareness grows, consumers seek alternatives that align with their values and promote sustainability. Tangerine Luxury has emerged as a trailblazer in this movement, holding the baton and leading towards a more responsible and earth-friendly future.

The brand realizes that it is high time we reassess our choices and find both fashionable and sustainable alternatives. It also stands by the belief that consumers play a significant role in driving change. By making mindful choices, they can influence brands and shape industry practices. The shift towards responsible consumption requires a collective effort, with brands taking the lead in providing options that are both environmentally conscious and luxurious.

FOR SELL AND BUY, CLICK THIS LINK   :

https://tangerineluxury.com/

As the demand for sustainable alternatives grows, trustworthy brands have emerged to bridge the gap between luxury and responsibility. These brands understand the need for change and are committed to making a positive impact. Tangerine Luxury is among these exemplary brands that are on a mission to prove that luxury and sustainability can coexist harmoniously.

They have assumed the responsibility of revolutionizing the luxury industry by offering preloved treasures that breathe new life into fashion. Each purchase from Tangerine Luxury is a conscious decision to reduce waste, minimize environmental impact, and promote a circular economy.

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Alongside environmental responsibility, Tangerine Luxury also understands the importance of trust and assurance when it comes to luxury fashion. With their stringent verification process, they ensure that every preloved item meets the highest standards of quality and authenticity. Customers can indulge in luxury guilt-free, knowing that their purchase aligns with their values and contributes to a more sustainable future.

As consumers, we hold the power to shape the future of fashion. We can contribute to a more sustainable and responsible industry by embracing brands like Tangerine Luxury. Together, we can join them in the mission to save the earth, one luxury item at a time.

Let us unite in making fashion choices that honor our planet and create a brighter future for generations to come. We thank Tangerine Luxury for their initiative and hope that they achieve their vision and also inspire other brands to follow suit.

CONTACT US   :             

https://tangerineluxury.com/

sales@tangerineluxury.com

+91 70420 39009

[artbyblastweave]

I've never made any connections between Worm and the Captain America mythos before. Spill some ink?

Okay, so from a purely aesthetic perspective, the gimme is Miss Militia. She's the most obvious "Captain Patriotic" in the roster, she has the power of GUN, she's the only one who actively buys into the mythology of America specifically. She's a Kurdish woman occupying an aesthetic niche generally held by a rugged squinty white guy. She's an output of the melting pot narrative. She's sort of a rendering of what a grounded superhero who somehow became very aesthetically into America might look like. Not in the craven marketing-driven way of Homelander or Comedian, not in the jingoistic maniac way of USAgent or Peacemaker. She buys it in the broadly left-liberal (USamerican connotation of that term) safe, friendly, reclamative way. Why, what a great rehabilitation of the archetype!

She's also deeply, deeply afraid of rocking the boat. She's got a deepseated childhood trauma related to the bad things that happen when she puts herself in a leadership role. She goes along to get along. When she's proactive, it's usually to point a gun at Tattletale to stop her from upsetting the status quo. She sits through a lot of situations where Steve Rogers, as commonly modeled, would probably plant himself like a tree by the river of truth and go, "Hey, this is fucked up." She more or less capitulates to Undersider domination of the city, in a way that predisposes us to think of her as a voice of reason after all these total nuts that Skitter's been up against- but would Taylor "to relinquish control is a form of ego death" Hebert really be willing to leave someone in charge of the local Protectorate branch who she thought couldn't be corralled? She looks like a beacon, but doesn't- indeed, probably can't- ever truly behave like one. I mean, you can debate the on-the-spot morality of any given one of her judgement calls, that's actually one of the less exhausting Worm Morality Debates to have- but in aggregate, a person in American flag garb who actually meaningfully criticizes the paramilitary organization they're part of is not gonna survive long in that role!

So again, she's the gimme from an aesthetic standpoint. But what I don't really see a lot of discussion of is how Cauldron plays into the riff.

Captain America is institutional, but in a comically morally uncomplicated way. The serum was originally mana from heaven, granted to a living saint, conveniently divorced from any nitty-gritty sausage-making process and even-more conveniently divorced from the horrible consequences of giving the, uh, the U.S government a replicable super soldier process. And in fairness to Captain America, this is 100 percent something the overall mythos eventually patched to my satisfaction; the sausage-making process eventually revealed as prototypical government fuckery driven by human experimentation on black servicemen, the overall Marvel Setting littered with failed attempts by the U.S. Government to recreate that golden goose so they can have their fun new jackboots. (In Ultimate Marvel, this is how almost all contemporary superhumans were created, and this is a state of affairs with a body count in the millions or billions.)

Cauldron draws you in with the same noble rhetoric about greater goods, the same one-off proprietary irreplicable formula- but you don't get the luxury afterwards of representing nothing but the dream. You aren't partnering up with a plucky crank scientist with a heart of gold. You're selling your soul to an organization with an agenda. The narrative makes no bones about the fact that everything you do is fundamentally tainted by the fact you opted into an end product created through torture, kidnapping and human experimentation. You don't get to pull a Kamen Rider by going rogue or opting out or making good use of the fruit of the poisoned tree; you are owned, and everything you do has this Damocles sword hanging over your head- when are the people who bankrolled this going to come to collect?

So that's the question of "who would willingly dress like that" covered, and the question of who creates a serum like that. What about the question of who takes a serum like that? I'd argue that Eidolon is the examination of that. Pre-Cauldron David reads to me like pre-serum Steve Rogers viewed through a significantly bleaker lens. They're both sickly kids desperate to serve, rocketed to the pinnacle of human capability by an experimental procedure. But for Steve Rogers, the crisis was that he had a specific vision of the world and was frustrated by his inability to carry it out. Before the serum he picked fights over what was right and wrong and got his ass handed to him; afterwards he picked those same fights and just started winning instead. The serum neatly solved a problem he had, and to the extent that his mindset is influenced by his pre-serum experiences, it's generally constructive; a desire to protect the weak, help the helpless, an appreciation for people who stand up for what's right even when they're clearly gonna get pancaked for their trouble. So ultimately there's no dark side, downside, or underlying neurosis ascribed to his initial impulse to take that serum.

But with David, it's not a tragic case of the spirit being willing but the flesh being weak. He isn't a preternaturally-noble soul, out to represent the best elements of the American ideal- he kind of represents the inverse, a guy who's been failed at every level while utterly convinced that he's the problem. He's actively suicidal because he's a wheelchair-bound epileptic in an economically-depressed socially-backwards rural town in the 1980s, and he's spent his 18 years of life internalizing the idea that he's worse than useless unless he can somehow find a way provide value to something larger than himself. Doctor Mother finds him in the aftermath of a suicide attempt spurred by his rejection from the army- and he didn't even want to join the army specifically, necessarily, he just needed his situation to be literally anything else, and he took what he thought he could get. And then he finds himself in a position to become a superhero, so he does that, molds himself into that, subordinates himself to that, builds his entire sense of self and values around the value he can provide in that role. No grand design or sacred principles carried over through the metamorphosis. Just relief at finally, finally having something that looks like an answer to the question of what he's supposed to do.

And you know, you know that if Steve Rogers was facing down the barrel of being depowered, he'd smile and nod, he'd Cincinnatus that shit. It's happened before. But for David, the emotional trauma and self-worth issues that caused him to roll the dice on a Steve-Rogers treatment never really went away. When would it? He's been Providing Value as a ten-ton Hammer Against Evil for thirty years. No family, no social life. Certainly, no incentive on his handler's part to lance his Atlas complex. So he barrels towards atrocity in the name of remaining useful. Admittedly, this is where the comparison breaks down in a significant way; Captain America is much more of a symbol than he is an irreplicable powerhouse, so it's not catastrophic if he's taken off the board. Eidolon is so unbelievably powerful that his myopia and self-centeredness actually do align with a real problem everyone else is gonna have if he loses his powers. But in terms of the starting points- I think that Steve Rogers embodies the myth about why you'd want to join the army that badly. Eidolon is, I think, much more closely modelling why you'd actually want to join the army that badly.

[mysteryshoptls]

SR Jamil Viper - Luxe Couture Vignette

"If I let this opportunity pass me by"

[Fairest City – Crystal Galleria]

Jamil: So, this is the "world's most beautiful plaza", the luxury shopping arcade Crystal Galleria.

Jamil: It's no wonder that the passage is lined with high-brand shops.

Ace: Woah! I totally dig those clothes in that shop's window! I'ma check 'em out.

Jamil: Hey, Ace! Ah man, I'll go and bring him back.

[Grim, Vil, and Azul look exasperated]

Shop Staff A: Welcome～!

Ace: Woooah! There's a ton of cool-lookin' clothes and accessories! This's so awesome!

Jamil: Hey… Don't just run off on your own. Come on, we're heading back to Vil-senpai.

Ace: It's just a little peek～ I saw somethin' I liked. Like see, like this T-shirt…

Ace: …Urk, it costs 100,000 Madol [1,000 Thaumarks]! That's waaay too expensive for me!

Jamil: That price is fairly standard for a high-brand shop… Hm?

Jamil: This stitching… It's pretty shoddy. Looks like they're using pretty low-quality cotton, too.

Jamil: Strangely, this doesn't look like the sort of thing that would be sold at this price.

Ace: Huh? Aren't T-shirts all made of the same stuff?

Jamil: Sure. But high-brand T-shirts are generally made with high-quality cotton.

Jamil: Better quality cotton is soft and have a nice feel to it.

Jamil: Not only does it not wrinkle easily, but when the cotton is made into T-shirts, it keeps its shape for longer and makes for a nice silhouette.

Jamil: The design of these other shirts isn’t too terrible… But the fabric quality is just too low.

Jamil: There's no way a shop selling at this level can have a store in the Crystal Galleria.

Jamil: Which means… They must have lowered the quality of their material after opening. Did they run into some kind of business issues?

Ace: Hey! That jacket's so rough-lookin' and cool! Excuse me, I'd like to try this on!

Shop Staff B: Ohh my, I'm sorry. I'm afraid that jacket cannot be tried on here.

Jamil: …

Ace: Huh? Really?

Shop Staff B: That's right. That is a really pricey jacket. If it is somehow dirtied or damaged, it would be on the customer to compensate the loss, wouldn't you say?

Jamil: …So essentially, he has to decide to buy it or not without trying it on?

Shop Staff B: Well, I guess that's right.

Jamil: …Would I be allowed to try these slacks on?

Shop Staff A: Unfortunately, that won't be possible either. Sorry.

Jamil: Ah, right. Thought as much.

Ace: C'mon. Isn't that a stupid rule?

Middle-aged Man: Oh nice, this is a pretty nice shop. The prices seem pretty reasonable, too.

Shop Staff B: Oh, what an important looking customer! Welcome～! Is there something in particular you're looking for?

Middle-aged Man: I'm wanting a jacket, see… Think you have something that'll suit me?

Shop Staff A: Well, if that's the case, how about this one? It's one of our most popular designs.

Shop Staff B: I'm sure it will be perfect for you. Please, try it on!

Ace: Wha―!? But when I asked earlier, they said it wasn't allowed to be tried on!!

Shop Staff A: Students like you can't possibly buy something like that, so there's no reason for you to try it on, is there?

Shop Staff B: Please go home before you start to disturb our other customers. We don't have the free time to be dealing with you two.

Ace: Huh...!?

Jamil: …Not only are their products low-quality, but so are the staff's customer service.

Jamil: There's no reason to stick around in a shop like this. Let's go meet up with Vil-senpai and the others.

[Fairest City – Crystal Galleria]

Ace: Wha was that all about, treatin' us like dirt just 'cause we're students!? That was terrible service. That pissed me off so much!

Ace: First they shoo us out, then they play all buddy-buddy up to the rich-lookin' guy.

Jamil: I bet that since they've been rubbing elbows with the rich and famous while working at that high-brand store…

Jamil: They've completely started to think that they've improved their own social standing.

Jamil: Thinking about those sorts of folks and getting upset about it is a waste of time. Just shake it off.

Jamil: Only the best brands, in both name and reputation, will flourish here at the Crystal Galleria.

Jamil: I can't tell if they had a change in management since opening, or if they've suffered business losses…

Jamil: But from what I saw, I can't imagine that place continuing to be suitable for this passage.

Jamil: Even if we do nothing, I'm sure they'll have no choice but to close down eventually.

Ace: It could ruin a brand's rep if they got kicked out of the Crystal Galleria. That'd feel sooo good to see, though!

―The next day

Jamil: I really can't relax at all while at Vil-senpai's side. I'll have to relax as much as I can during my personal free time here.

Jamil: Maybe I'll check out the café at the far end of the Crystal Galleria.

Jamil: Hm? This shop looks… I guess I can check it out.

Clerk: Welcome! Please feel free to look around.

Jamil: …This place is completely different than the one yesterday. Now, where's that outfit I saw in the window…?

Jamil: Ah, here it is. I thought it looked like a pretty nice jacket from outside, but the pockets and lining give off a more casual feel.

Jamil: This isn't something I see often. The material is good and the sewing and embroidery is delicately done…

Clerk: Would you like to try it on? Come this way.

Jamil: Thank you.

Jamil: Yeah, the size is good and it fits well. I think this color also actually goes well with the clothes I brought with me, too…

Jamil: …How much is this jacket?

Clerk: That would be 50,000 Madol [500 Thaumarks].

Jamil: I see. Would you allow me to think on it?

Clerk: Of course! And please take your time to look at our other items.

Jamil: A 50,000 Madol jacket… That's a bit of a steep price for me… Hmm…

Jamil: The fabric's quality, the design, and the superb stitching make this very high quality…

Jamil: If I think of those factors, even 50,000 Madol is fairly cheap. Also…

Jamil: I've found this in the Crystal Galleria, of all places. If I let this opportunity pass me by, there won't be another chance to buy something like this.

Jamil: …Excuse me. Could I purchase the jacket I tried on earlier?

Clerk: Absolutely. I'll go fetch a new one for you. Please wait a moment.

Jamil: Sure.

Jamil: …I was able to buy a sensible jacket from a reasonable shop here in the Crystal Galleria.

Jamil: Yeah. I'm definitely satisfied with this. And I'm sure this'll be a great memory.

[Fairest City – Queen's Palace]

Shop Staff A: KYAAA! VIL-SAMAAA! YOU'RE SO BEAUTIFUL!!

Shop Staff B: SO BEAUTIFUL! I JUST HAVE TO GET A PICTURE OF THAT STUNNING FACE!

Jamil: Hm? I think I saw those two screaming fans over there yesterday...

Shop Staff A: Oh, look! Do you think those guys walking alongside Vil-sama are models too? Should we ask for an autograph?

Shop Staff B: EXCUSE ME!! PLEASE GIVE US YOUR AUTOGRAPH!!

Jamil: …Hahah! You sure you want my autograph?

Shop Staff B: Absolutely! …Wait, huh? I feel like I've seen him before…

Shop Staff A: Wait! Isn't he that customer that we turned away yesterday…!?

Jamil: I'm honored that a mere student like myself would stir your recollections.

Shop Staff A: Wh-Who would have thought he'd be so famous to walk the tapis rouge…? And he looks so good in that outfit!

Shop Staff B: If we had sold clothing to those boys yesterday, it might've been such good publicity!!

Shop Staff A: H-Hey! Once you're finished here, would you care to come visit our shop once more?

Shop Staff B: We have a collection of garments that would look fabulous on you! Please allow us to design your new look!

Jamil: I have to decline. Your shop does not have any article of clothing that would suit me.

Jamil: After all, just as you said yesterday, there is no need to try anything on.

Shop Staff A/B: U-Uhhh… So when we said that yesterday, uh…

Jamil: If that is all, perhaps you should head home now? Not only are you bothering others around you…

Jamil: But I also do not have the free time to be dealing with you, either.

Requested by @ordinaryanon.

[blissfullyecho]

What do you do for work and whats your advice on becoming better in your work life?

Leveling Up In Business & Career ——

I worked in healthcare for the last 2 years and decided I wanted flexibility and more opportunity. I’m in luxury real estate and yacht sales, but I have a few strategic investments that keep my money working while I focus on building my career. My career is all about creating a life that most people can only dream of—and I’m just getting started (I’m about 8 months into it). I don’t settle for mediocrity, and you shouldn’t either. If you’re not aiming for the top, what’s the point?

Here’s my advice: become obsessed with being the best at what you do. In luxury real estate and yacht sales, you’re not just selling properties or boats; you’re selling an entire lifestyle—the lifestyle. If you can’t match the level of excellence your clients are seeking, then you’re already losing. People buy from the person who embodies what they want, so become that person. Your energy has to reflect the caliber of the product you’re offering. Let’s say you’re a doctor or a nurse: sorry but I’m not going to take my health seriously if my doctor or my nurse looks like they don’t take care of themselves. No matter the job or career you have, you have to match the ultimate goal of the client or customer you have. The problem is: you can’t fake it. You have to be authentic because people can sniff out fakeness and imposter syndrome quicker than ever these days.

When it comes to your career, don’t wait for opportunities to find you—create them. Every day is a chance to outwork everyone else. Work smarter and harder than anyone in the room. Stay focused, stay sharp, and always push yourself to be better than you were yesterday. Don’t be afraid to stand out. If you’re not standing out, you’re blending in—and I’m sure you didn’t get into this to be average.

And, finally, confidence is everything. Own what you do, and be unapologetic about it. You deserve success, so start acting like it. Never let anyone make you feel like you don’t belong in the room with the most powerful people in the world. You’re already at the top—you just have to keep reminding the world of it.

[novella-november]

Fantasy Discrimination, and The Implications

A post on my dash reminded me to share some more writing advice, so here is a very good article by @mythcreantsblog , about how to make sure you're not dehumanizing a species or culture in your writing, which is a good guide on how to avoid accidentally writing racist or ableist tropes:

In particular, I want to talk about the ever-present racist trope in a lot of fantasy and scifi fiction, and that is the decision a lot of creators make where the villains are not just a single person, a faction, or a kingdom -- *its an entire species* who is not only the villain, but are outright, inherently *evil*.

To start out, here's a political cartoon by Tom Gauld you've probably seen all around tumblr with the name cropped out:

[ID: a political cartoon by Tom Gauld, showing two identical cities and boats mirrored on a river, each with a purple or yellow flag; one side is labled "Our Blessed Homeland, Our Glorious Leader, Our Great Religion, Our Noble Populace, Our Heroic Adventuerers", The other side is labled "Their Barbarous Wastes, Their Wicked Despot, Their Primitive Superstition, Their Backwards Savages, Their Brutish Invaders. End ID]

This political cartoon is a very good tool for testing your writing for the trope of demonizing/glorifying your fantasy/scifi species.

Let's use a classic example: your fantasy setting is made up of the following species: Elves, Dwarves, Humans, and Orcs.

Your Elves are a long-lived, ethereal people who live in secluded, perfect cities, all of them tall, blonde, and blue-eyed, who are extremely wise and making plans that can stretch out over dozens of human generations, and they're the deciders of 90% of politics in your world. Your Dwarves are a short, squat, species who spend their lives working in forges, mines, and laboratories, tirelessly toiling (because they enjoy the hard work, of course!) and selling their products to the Elves who are their largest and wealthiest customer base; Dwarves work hard and studiously for decades at a a time to complete a piece of work in order to fufill the intricate orders from their Elven customers, which is how the majority of them provide for their families, working 16 hour shifts each day for decades per order. Your Humans are far more seperated, and often live on the fringes of what their longer-lived compatriots consider "Civilized Society", often living as Subsistence farmers and hunters, not out of choice, but often due to poor land and lack of resources; the wealthiest of Human cities are usually the capitals where the royals reside and may live in luxury with rich markets and high-quality products and running water, but the vast majority of Humans live in small, poor villages that must rely on traveling merchants to sell what produce and livestock they can spare from their farms in order to buy the supplies they need to live out another year. Your Orcs.... well, they don't really live anywhere, do they? Orcs strongholds can only maintain their grip in hellish wastelands where living is nigh impossible, with all food and water only obtained from outside sources; occasionally, Orcs will attempt to establish base camps in more fertile land, invading neighboring Human, Dwarf, and Elven territory to do so, who quickly unite to expel these vile, dark, brutish invaders lest they steal their daughters, destroy and taint all of the natural resources and steal the few jobs available to the Humans in Dwarven and Elven cities as manual labour and servants.

And Now, take a step back from this world, and take a long, hard look at these species (outside of humans who are just kinda there in the middle and the only ones capable of change because Humans Are Always Special) and societies and what ideas are being reinforced here, especially when the above descriptions are framed as Hard Facts which are both Just and True?

(archived read-more Here)

Elves are morally superior and are always Perfect and Correct,

Dwarves are happy to spend their entire lives toiling in the forges and mines to please their Elven patrons,

and Orcs are Evil Monsters who will rob, murder, and rape any hapless victim who comes their way, so it's better to slaughter them all on sight and kick them out of your cities and towns, and this is the 100% correct morally right choice every single time and the narrative and characters themselves support this?

Did you spot them already, or does the above just seem like a cool, fun fantasy world where Elves are the cool wise good guys and Orcs are the devil's army and can be used as canon fodder any time your main character needs to mow down some enemies for a Badass Scene?

Let's retrace our steps a bit, shall we, and examine this "perfect" world through a critical lens?

When your elves are all portrayed as Perfect Ethereally Beautiful Blonde and Blue-Eyed wise leaders of the civilized world, what idea is being reinforced here? Who does it harm, and what real world ideas is this mirroring and enforcing? Who is going to have their own biases reinforced by this narrative?

When only the longest-lived people are allowed to decide politics, what group biases are being enforced? Is portraying "young people" as "being incapable of making political decisions" as a correct, logical choice in your story something you wish to enforce? Are there any real world issues this trope mirrors?

When your Dwarves are all Happy Workers and Slaves, bound to and reliant on the superior Elves to live, spending the majority of their life purely in service to these Superior Beings while happy to do it, what idea is being reinforced here? Who might see themselves in the plight of the Dwarves and feel alienated and insulted by the Dwarves happily slaving away in the dark? Who might have biased ideas reinforced by seeing the Dwarves treated in such a way?

When your Orcs are portrayed as evil, dark skinned, brutish savages who will kidnap and rape poor helpless women from the "pure" species, when Orcs are incapable of creating anything of their own and can only steal, what racist messages are being enforced and upheld? Who are the real people and cultures being demonized when you perpetuate this? What real world peoples and cultures have faced *decades of propaganda framing them as such*?

If you spotted these harmful messages in the initial indented description, good job!

But if you didn't, it's time to find and read critical reviews and essays written by marginalized communities of works that include these damaging tropes, because if it your Evil Species are Weird Aliens, because when you characterize and describe your Evil Species, you are undoubtedly going to be drawing heavily on your own internal biases of what makes people Other and Wrong.

Are your Evil Species all dark-skinned, physically-strong and animalistic? Congrats, you have just regurgitated centuries-old racism that justifies slavery, segregation, and discrimination *to this day*

Are your Evil Species all nomadic ~cannibals~ who are incapable of creating anything of their own and have to loot and steal from others to have anything of value? Congrats, you are once again regurgitating racist propoganda that has been used against countless cultures and minorities for centuries.

Are your Evil Species reknowned for kidnapping and raping the women of your Good Guys in order to create Evil Twisted Halfbreed Offspring for ....uh, reasons? Congrats, once again, this is literally just racist propaganda being reinforced by your writing.

Anything you come up with to make your Species Inherently Evil is going to most likely be something that is weaponized against real world minorities that you are now reinforcing with your writing, from racism to ableism to queerphobia and all the ways they intersect.

How do you fix this?

It's incredibly simple!

Don't make an entire Species be Inherently Evil.

They need to be just as varied as real living people.

Your Species should not be a Monolith, let alone of *Evil*.

Your Species should not have their only "decent/civilized/kind people" examples come from ""crossbreeds"" [and this term itself should be used only by bigots as a deragatory term] or random orphans who were raised by one of the Good Species(tm)-- this is how your story starts advocating for *eugenics*, which is not something you want to do!

So, instead of having an entire Species be "Inherently biologically" Evil, consider instead:

Making your villain group diverse instead of all one Species.

if your villain group is a Species Supremacist, they're probably still going to have underlings and lower castes who do their dirty work, or have been taken in by the cult ideology.

Making the villains of this Species be a small fraction of a larger whole, who are part of a violent cult, ideology, or political party that not only puts them in conflict with your main characters, but also with the rest of their Species.

Having your main character or their friends be the same Species as your villain group, and they represents the vast majority of the Species, instead of hailing them as "the Paragon of Goodness who emerged somehow pure from of a species forged in hell" or anything similar.

You should also sit down and not only think about the harmful, racist tropes that would come from writing Inherently Evil Species, but also consider:

Why do you want to include an entire species of people who are inherently evil in your novel?

Is your novel gaining anything for including these tropes uncritically?

Does it make it a better, more interesting story to include these tropes uncritically?

What message are you trying to send with your story?

Does including these tropes uncritically in your story *undermine* your intended message?

Another trope in the opposite direction, is talking about "Oppression" and "Fantasy Racism" from the perspective of a character who is part of the oppressed minority, only to spend the entire novel talking about how your Opressed Class are Literally and Factually threats to the population that "discriminate" against them, usually by being rightfully wary in their prescence.

if the Oppressed Minorities in your story in anyway resemble the Orcs in Bright, the Predators in Zootopia, or the Khajiit in the Elderscrolls, where the Racism these peoples face in based on hard proven facts that these people have been and still are threats to most of the population..

... you're less writing a story about how "Racism Against Vulnerable Minorities is Bad"

and sound more like you're saying

"It's bad to be "mean" (afraid of) Nazis who literally want you dead and who can kill you with impunity and no consequences."

If you are writing a story about Fantasy Discrimination, and the basis of your Fantasy Discrimination is based on *cold hard facts that your narrative supports and upholds*, instead of actually basing it on and talking about what leads to discrimination in the real world

(xenophobia and the fear+hatred of The Other, economic gain, mainly),

then you are not making the progressive stance that you think you are, and instead are enforcing the ancient propoganda that racism is based on fact, that racism is "for a good reason", and you need to take care that you are not upholding this idea in your works.

TL;DR:

Instead of making an entire Species of people a trope of Wise Good Guys or Evil Incarnate, consider using *Factions not Races* for your groups, and think long and hard about the implications of your world's politics and how it mirrors our own world, especially in ways *you may not intend it to.* If your story is meant to be progressive and inclusive, but your villains are an entire race of black orcs who slave and rape the good guys species, you need to go back to the drawing board.

[betterbemeta]

I have said it before and i don't care how many youtubers advertise hello fresh or hungryroot to make a living

meal subscription services are not worth it.

Not a single one of them is actually cheaper in the long term than planning and buying your own groceries.

many of them have initial discounts to sell you the service and then hope you are just too busy or too tired to unsubscribe. almost ALL people who sign up for a meal plan will unsubscribe within the first year because they were only there to access those early discounts BECAUSE THEY NEEDED CHEAPER FOOD IMMEDIATELY.

Your normal grocery store probably does have a few dark patterns but not nearly as many as even the 'nicest' meal subscription service.

There are articles out there like "I did the math and the groceries and meal services are the same price mostly!" but if you pay attention, there are massive holes in their thinking:

the meals or plans that track closest to grocery store prices are ones that adhere to special diets. Eating vegan, keto, etc. can be more pricey to shop for. This is a known part of the strategy for meal kits and delivery services-- they can't compete with the price of typical groceries, but just like some people will shop at an expensive Health Food store, others will be willing to pay a premium for luxury or diet-specific products. And chances are if you're a regular person keeping a special diet with a limited amount of disposable income you probably have already made compromises for your budget and don't need a for-profit service to pry away that money you're trying to save.

These articles frame, 'you don't have to buy oil, seasonings, vinegar, or staple ingredients' as a cost saving or even food waste saving measure... but that's also true if you just eat regular TV dinners from the grocery store freezer aisle, many of which offer the same or better prices per serving. But really, is this not just a grocery shopping version of 'Vimes 'Boots' theory of socioeconomic unfairness'? Exploitation of those who can't invest in the cost of things upfront results in poor people spending more money for worse outcomes?

If I can't make a restaurant's exact same fish sandwich for the same price, I can just make a chicken sandwich or a grilled portobello. Or buy a box of frozen dumplings. Saving money on Grilled Trout Over Wild Rice shipped to my door makes no sense when I simply wouldn't choose to cook something like that without a special reason.

if these meal kits and delivery plan services really WERE cheaper than groceries, grocery stores would be losing money to them and they're mostly losing money to people buying less food in general.